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Factors to Consider When Buying a Recording Microphone


It is not satisfying only to state that all microphones are made differently. Every company has its unique technology of creating their mic models. For instance, CAD audio has existed for quite some time. The company has been creating models that produce vastly different audio qualities from other technologies. An example of a good microphone is the cad u37 USB studio condenser recording microphone. Its uniqueness makes it a great competitor in the market. Understanding various types of mics and their common features can help you in purchasing a quality mic that will earn you a lot as a producer or musician. Continue reading for you to make the right decision when looking for a recording mic in future.


Frequency Response

Frequency response is a key factor whenever you are looking for studio microphone. Microphone frequency response is the range of frequencies. These frequencies range from highest to the lowest. The microphone frequencies are measured in Hertz. For instance, buying an 80 HZ to 15 kHz microphone would mean that you want it for professional vocal recordings. If you are recording snares and toms from the drum set, ensure you look for a 50 Hz mic. For bass making, you should go for those that have below 50Hz.

Proximity Effect

Proximity effect is a very critical microphone characteristic that is overlooked by most online buyers. Proximity effect makes all bass frequencies clear and profound for easier mixing and mastering. Singers should make sure they have a mic possessing this characteristic for better vocal. As a producer, you can choose a mic that has a strong proximity effect. This will help you to make a clear sound when recording. In general, all condenser microphones can produce a more proximity effect compared to dynamic microphones.


Mics vary in Polar Patterning. Every mic set or model specialized in different recording tasks. Each microphone’s directionality helps to dictate how it receives sound from the sources. Some mics can pick up sounds from either direction at the same time while others can only pick up from one direction at a given time. As we have mentioned above, no polar patterning is disadvantageous because every mic has its specialization.



Impendence is measured in ohms. Impendence dictates the microphone’s receptive ability to the AC current and audio signals. Lower impedance mics have the ohms figure below 600Ω. However, these mics are best when retaining audio quality through cables that are longer than 10 feet. High impedance can mean that other components are of lower quality.


Last but not least, look at the mic’s attenuation switch. You might be wondering what the work of the switches on the mic is. But they play a big role in the recording of clear and more pronounced sound through adjustment. An attenuation switch regulates the output level of a given mic.

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